Written by: Anurag Mallick
Apart from experiencing many cultural and culinary elements in Bali, Anurag Mallick also learns about how various mythological happenings have shaped the pristine island
At a busy intersection northeast of the Ngurah Rai International Airport in Bali, it was surprising to see ornate mythological statues of what seemed like Krishna and Arjuna in a chariot. However, unlike the calm exposition of the Bhagwad Gita, the towering colossal figure seemed not engaged in holy discourse but had a more warlike posture. Our guide Made corrected us and said it was not Arjuna but Ghatotkacha!
Built in 1993, the sculpture depicts the battle between Bhima’s son and Karna in the Kurukshetra war from the epic Mahabharata. Perceived as loyal, intelligent and powerful, Ghatotkacha is revered by the Balinese and is a key figure in wayang kulit (traditional shadow puppetry) of Indonesia. As a flying knight responsible for air defense of the Pandavas, Ghatotkacha is supposed to provide safety and spiritual protection to all outbound and inbound flights from Bali.
While Indonesia is largely Muslim, most of the four million population on the island of Bali is primarily Hindu, with temples, traditions and folklore reminiscent of India. Interestingly, Hinduism was brought to the island by Sage Markandeya, the child saint who conquered death and wrote the Markandeya Purana. The story goes that he came from India with an entourage of 800 followers via Borneo, Sumatra, to Mount Demalung in Java. Plagued by disease, the group finally came to Bali and rested on the southern slopes of Gunung Agung — the highest mountain on the island.
Here, Sage Markandeya established the Pura Besakih Temple, till date the largest and the holiest temple in Bali. Here, he consecrated the panchadhatu or five metals for the deity. Built on the slope of an active volcano, the temple miraculously survived the last eruption in 1963 with lava flow missing the shrine by metres.
Meal with a view
We checked into our hotel in the tourist hotspot of Kuta and drove to the cultural park, Garuda Wisnu Kencana (GWK). The sprawling campus was covered with immaculate gardens, large statues, performance halls and a souvenir store. But we were headed for Jendela Bali, a restaurant with a panoramic view. Perched on a hillside overlooking the city, we could see the lofty Mount Agung wreathed in clouds. It is believed to be an embodiment of Mount Meru, the central axis of the universe.
The three-course continental meal of salad, chicken spaghetti and dessert was punctuated with animated conversations on mythology — of Sage Kashyapa, his wives Kadru and Vinata, the eternal enmity between eagles and serpents, the churning of the cosmic ocean, and how Garuda ended up being Lord Vishnu’s vahana (vehicle), and eventually a symbol of Indonesia’s national carrier.
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